Why no creative progress is better than some

March 2, 2010 by

I witnessed a fascinating piece of post rationalisation by 2 of my colleagues recently. More than half way through a tense and important creative development process the sum total of our efforts was close to zero. This launched an already nervous client into wave upon wave of panic until one colleague drew him the chart you see here.

He argued that much though we might like it to be so, creative development is not a linear process. Instead, getting to a big idea involves rumbling along the bottom trying lots of different things until gold is finally struck. In doing so Dennis argued that by having nothing of any note to show at the intermediate review was therefore a good thing and that we were completely on target for greatness (the asterisk in the above chart).

Conversely, if we had a few half baked ideas we would almost certainly end up with work that was quite possibly good, but not good enough.

I’ve found myself using this argument a lot ever since.

We win again!

November 26, 2009 by

Last night, Soho Square scored a double at the 2009 Financial Services Forum  Awards.

We won Best Global Integrated Campaign, plus a commendation for Best Avertising. All of this was for Barclays Wealth.

And this comes on top of our recent triple win at the EuroEffies, where we won a Gold Effie for most effective new brand launch, the Sappi Print Media Efficiency Award, and a Special Commendation within the Grand Prix.

Barclays Wealth is truly the gift that keeps on giving, the proof that a great idea rises to the top.

It almost makes it worth sitting through these interminable awards ceremonies.

When integration goes bad

November 16, 2009 by

There are numerous articles, posts and even books written on the subject of integration in communications. When to do it, how to do it and where to do it. And there are many practitioners in advertising who know a lot more than me about it.

Most authors argue that effective communications should either look the same (the so called matching luggage approach) or say the same thing in manners appropriate to their channel.

matching luggage

I can find few commentators who argue vehemently against integration. Crispin Porter + Bogusky occasionally stray close to this point, but even their fantastic work for Burger King amongst others use integrated campaign devices more often than not (step forward The King).

While doing some work with an anti-smoking charity recently I came across a particularly compelling case against any form of integration. The argument goes something like this. When it comes to smoking, smokers know it’s bad for them. But they still don’t like being reminded of the fact. Rather than give up, they look for ways to edit themselves out of the communication. They don’t look like the people in the ads. They haven’t got any kids or always smoke outside. That way they can convince themselves that the communication isn’t referring to them and they therefore don’t need to make themselves feel bad yet again.

Against this backdrop, it would be crazy to put all your eggs in one beautifully integrated basket that you know your audience are going to try and jump straight out of. A more successful approach would be to close down as many ‘escape routes’ as possible so that smokers are left with nowhere to turn other than to confront their own habit. It’s this approach, whether by luck or judgement, that the NHS appears to have taken by splitting its anti-smoking funding between a number of bodies with differing approaches to the problem.

It is possible to argue that this is not one campaign at all and therefore the notion of integration is irrelevant. I disagree. The NHS started with clear campaign objectives  and a single pot of money to achieve them. They took the conscious decision to split this not just between messages but between advertisers.  In their opinion, this would lead to greater return on total investment in terms of smoking cessation.

So what does this tell us about how we should approach more conventional brand problems where audiences are hopefully less predisposed to disengagement? My view is that there are many parallels – sure you may not feel as strongly about a stick of deodorant as you do about cigarettes, but in our busy lives we still look for excuses to edit messages out of our consciousness. Rather than one joined up campaign try and hit people with as many different messages, via different channels and at different time as possible.

Even with single brands, the disaggregated world in which we now live presents ever greater opportunities. Nike’s Livestrong Chalkbot kind of came out of nowhere but is a new strand to their story. Red Bull thrives on constantly offering new and different experiences. And Dove, through its campaign for Real Beauty, showed the benefits of tangental approaches to communication.

It’ll lead to slightly uncomfortable agency review meetings where the wall of past and present work might end up looking like a dog’s dinner, and our chums at Millward Brown might also report declines in (prompted) ad awareness, but if you want get more people to buy your argument more of the same rarely works as well as more of something else.


Follow

Get every new post delivered to your Inbox.